Luis Fábrega is a visual and sound artist who, since 2006, has explored photography, video, and music as parts of a single creative organism. His camera moves through cities, bodies, and gestures in motion, with a particular focus on portraiture, dance, and the nude — building an evolving archive of over thirty thousand images that converse across projects. Based in Paris, he creates video art and hybrid pieces where the body becomes both subject and language. Among them, SOKKA — a collaborative video-dance project with twenty performers inspired by Japanese aesthetics — and a series centered on the tree as a symbol of maturity and growth.In parallel, he composes music that blends jazz, pop, and electronica. His discography includes LIFE IN A BOAT, an album recorded aboard a barge on the Seine, alongside more than two hundred original compositions conceived as soundtracks to his own visual universe.His website functions as a living diary where images, videos, and sounds intertwine to tell one continuous story — that of an artist who sees the body, the city, and time as mutable territories of transformation, exposure, and memory.
A visual exploration of the body as a stroke, of movement as language. Each image captures the instant in which form dissolves into energy, where dance ceases to be technique and becomes impulse, emotion, presence. Dance is not captured; it is invoked. In this series, Soulvanit transforms the body into stroke, gesture into narrative, and the stage into a ritual void. Each image is a suspended instant, an escape from time, an affirmation of the ephemeral as a form of truth. The dancers do not pose: they dissolve, they fragment, they offer themselves. Blur, tension, the light that cuts through space—everything becomes language. This is not a documentation of dance, but a visual choreography where movement becomes symbol and the body, an altar.The series proposes an editorial gaze on the performative, the urban, the intimate. It is a tribute to the power of the body in transit, to the beauty of the gesture that does not seek to be seen, but to be felt.
Suspended ImpulseThe body arches in the air, caught between tension and fluidity. Dance becomes a vertex: between impulse and fall, between intention and surrender.Line of RuptureA figure moves diagonally, cutting through space like a blade of light. The blur is not a mistake; it is evidence of vertigo, of the desire to escape the frame.Choreography of SilenceThe empty stage and the frozen pose evoke a pause charged with meaning. The body speaks without sound, and the space listens.TransitCaptured mid-transition, the dancer becomes a shadow, an echo. Light passes through them, fragments them, and transforms them into a symbol of the ephemeral.GravitéA frozen leap defies gravity. The body floats, but does not flee: it asserts itself, it offers itself, it becomes an altar of the human.
